Autorka i współautorka artykułów naukowych, m.in.:
‘Brexit: The Uncivil War’: A Permanent War or Just a Battle? The Polish Perspective (2020), w: Journal of Literary and Cultural Studies (SKASE), Koszyce, Słowacja, (w druku)
One Nation, Two National Identities: The Impact of Politics and the Media on Recent Shift in Identity Construction in Poland (2020), w: Océanide, Vol. 12, Spanish Society for the Study of Popular Culture (SELICUP), https://www.oceanide.es/index.php/012020/issue/view/14
Everything Is Not as It Seems: An Inquiry into Selected Reality Shows (2019), w: Language and Culture: Scientific Papers, Kutaisi, Gruzja, 136-146.
Poland for Poles only? Attitudes of Poles towards Refugees and Immigrants (2017), w: Svet kultúr a tradícií slovensko-poľského pohraničia. Zvyšovanie kompetencií vysokoškolských pedagógov v oblasti interkultúrneho vzdelávania, Presov, Slovakia: Presov University. https://www.unipo.sk/public/files/GTF/2018/Intereg/Svet_kultu__r_a_tradi__cii___slovensko-pol__ske__ho_pohranic__ia_zborni__k.pdf
Women’s Position in Politics and the Labour Market in Contemporary Poland (2015), w: Global Partners in Education Journal, Vol. 5 no 2, 92-98. http://www.gpejournal.org/index.php/GPEJ/issue/view/6
The Question of Objectivity in BBC Documentary: Peter Taylor’s Documentary Trilogy on Northern Ireland (2013), w: Papers on Language, Culture and Literature 4, Prace Naukowo-Dydaktyczne PWSZ w Krośnie, Vol. 61, ed. A. Witalisz, Krosno, 127-136.
Reconciliation Cinema in the Northern Irish Cinema of the 90s (2011), w: Language, Literature and Culture in Present-Day context: Contemporary Research Perspectives in Anglophone PhD Studies, The Slovak Association for the Study of English (SKASE), Koszyce, Słowacja.
‘In the Name of the Father’ – Docudrama: Facts vs. Falsities (2011), w: Papers on Language, Culture and Literature 3, Prace Naukowo-Dydaktyczne PWSZ w Krośnie, Vol. 55, ed. A. Witalisz, Krosno, 173-180.